Like no other bird in the world, the endangered maleo lays its single, enormous egg near hot springs, or in the warm sands of a sunny Sulawesi beachside nesting ground. After laying, the maleo parents do not stick around to incubate their egg or raise their chick. Rather, they make one huge, big-hearted investment in their single egg, place it well, and then return to their rainforest home, trusting that in Mother Nature’s hands, the chick will eventually hatch, emerge, and learn to fend for itself.

Maleo chick    Photo: Sandesh Kadur

Already, thousands of endangered maleo birds (not to mention sea turtles, rainforest creatures, and more) are alive who wouldn’t have existed without your help. To keep that going, on May 2, 2012, we all have an opportunity to deepen our big-hearted investment in Mother Nature, through The Seattle Foundation’s 24-hour online giving event called GiveBIG. Please give as generously as you can.

Click on this link: http://www.seattlefoundation.org/npos/Pages/TheAllianceforTompotikaConservation.aspx?bv=nposearch

If we take care of the human part, Mother Nature will take care of the rest…and both maleos and humans will thrive.

Maleo    Photo: Sandesh Kadur

The Atlas moth was photographed on the road in some part of remote Arunachal Pradesh. At first I thought the moth may be dead, but upon getting close to it, it raised it’s wings and spread them out. The colours and symmetry drew me into the image. At first I thought of shooting with a macro lens, but later decided that it would look much more striking with my Sigma 15mm Fish-eye. So most of these images were made at a distance of 4-5 cms from the moth revealing it’s character in close up. I need to dig out some more images of the moth with a person’s face in the background. You’ll see how the wingspan of the moth makes the face look small in comparison.

Camera: Canon 5DMark2

Lens: Sigma 15mm f/2.8 fish-eye

Flash: Canon 550 EX – Off camera flash with Diffuser

INTRODUCTION
It was late January 2011 when all the stars aligned and I set off to film the first episode Elephant Kingdom for Secrets of Wild India. In Bangalore Chinmay and I hustled to get all the High-Definition cameras ready. My trusty HDX900 was pulled out of its case dusted off and prepared for the long shoot ahead.

Our first stop – Guwahati – the capital of Assam – A state known more for its tea than for its spectacular wildlife! This is also the gateway to much of North-Eastern India. After a few days of permit work and getting the Getaway ready we headed east along the mighty Brahmaputra River. Born in the Himalaya the Brahmaputra is the lifeline and fluid emblem of this part of India. For millennia its waters have shaped the land and the lives of people who live along its broad course. The vast floodplain is rich in minerals and so fertile that little original habitat is left as most of it has been brought under the plough. But one small fragment remains…and that is where we are headed.

Bordered by the Brahmaputra River to its north and flanked by the Karbi-Anglong hills to the south is a sea of grassland. This is Kaziranga – India’s Serengeti – a unique floodplain ecosystem teeming with life.

ESTABLISHING – CAMP FELIS

Our first task was to set up a base camp. We found a newly constructed cement house and decided to set up camp there. It had a big hall, a kitchen and two rooms with attached bathrooms. The main hall became the equipment room with a mini-studio on one side. The first order of business was to get a drinking water set-up and a garage set up for the vehicles to protect them from sun and rain.

ESTABLISHING A NETWORK

Kaziranga is an easy place to film wildlife. There’s always some wildlife or the other around. But what we needed were stories and in a place spread over 600 sq. kms. you are guaranteed never to be at the right spot at the right time. Enter – Karpagam Chelliah, a wildlife researcher studying elephants, Bhuvan the man with a Land Rover and a network of ALL the tourist gypsy drivers and finally the Kaziranga Forest Department staff – without whose active co-operation none of this would have been possible.

Speaking of being at the right place at the right time – it’s not always possible and not as easy as it sounds. For example, the opening sequence of the film features a day old elephant calf, still pink, with large eyes and unsteady legs. I got a call from Karpagam who was in field, informing me of the elephant calf moments after it was born. I was far away in the city of Guwahati when this happened. The moment I got the news I rushed back to Kaziranga and the following day we were able to track the herd and capture the sequence. So it’s important to have a large network of extra eyes and ears who can inform you of things as they unfold – otherwise it’s nearly impossible to get lucky enough to capture all aspects of an animals’ life history within a short period of time.

CAMERA EQUIPMENT & CAMERA CREW
By end February Sam Mansfield arrived with all the big toys. A massive HJ-40X lens matched with an equally massive Ronford-Baker tripod. The main camera for the shoot was my Panasonic HDX900. Apart from this we also shot with a Canon 5DMark2 and a 1DMark4. Although the 5DMark2 was mainly used for time-lapse we also shot a number of key sequences in the documentary. For example, the sequence of fig wasps was shot entirely with the Canon MP-E65mm 1-5X macro lens. It magnifies an image 5 times life size. For an animal the size of a fig wasp this was an essential piece of kit!

Chinmay Rane’s additional task was to gather as much natural sound as possible, especially of each landscape and individual animal sounds. Sound recording is a critically important part of the filmmaking process and often the one that’s most ignored. Here Chinmay and I are trying to record Hoolock Gibbons at Gibbon Wildlife Sanctuary.

Apart from being the assistant producer of the show Sam’s role was to distract people away from the camera. With his exotic appearance he played this role remarkably well.

Next Duncan Chard – the series director arrived to take in a bit of Kaziranga and get a feel and direction for the film. At the end of each day’s filming we gathered not just to discuss the days events, but mostly to enjoy a chilled mug of beer and watch the Cricket World Cup that was going on during that time.

Along with Duncan came Brendan McGinty – a London based cameraman with a passion for new technology. He brought with him a brand new ABC-DSLR Light Jib and two 5D Mark2 kits for shooting time-lapses. It was great fun working with Brendan who loves his camera toys as much as I do mine… He almost talked me into buying a Red Epic… but I put that on hold for now and instead got myself an ABC D-SLR Light Jib that I’ve now used on every shoot since Kaziranga.

But Harry Marshall (Executive Producer) in his comment sums Brendan best – “There was also Brendan McGinty, that rare beast – a cameraman equally comfortable shooting wildlife on a long lens as he is filming a fashion event on the catwalk. His job was to bring the fresher more contemporary feel which National Geographic Wild had asked us to brand the series.”

The magic ingredient at the end of the day boils down to teamwork. None of these projects can ever be made alone and the credit really goes to the fantastic team behind it. From the field side of things, I owe it to generous support from the Forest Department, Chinmay Rane – Assistant cameraman, Bhuvan – my field assistant and to Karpagam Chelliah.

In post-production, series director Duncan Chard worked tirelessly with editor Glenn Rainton watching every frame of footage and tying things together. Also, credit goes to Harry Marshall who not only came up with the idea, but also brought in the real magic ingredient for the series – the timeless, epic voice of Sir David Attenborough.

Special thanks: Secrets of Wild India – Elephant Kingdom

MINISTRY OF ENVIRONMENT AND FORESTS, NATIONAL TIGER CONSERVATION AUTHORITY (NTCA) ASSAM FOREST DEPARTMENT, ASSAM FOREST SERVICE,  KAZIRANGA NATIONAL PARK SURESH CHAND, CHIEF WILDLIFE WARDEN, SURAJIT DATTA, FIELD DIRECTOR, D. D. GOGOI, DISTRICT FOREST OFFICER, RAJENDRA, DISTRICT FOREST OFFICER, A.R. RAHMAN, RANGE FOREST OFFICER, DEORI – RANGE FOREST OFFICER, KOLITA – RANGE FOREST OFFICER THE MADRAS CROCODILE BANK TRUST
KARPAGAM CHELLIAH, SANGEETHA KADUR, BHUVAN GOGOI, BIR BAHADUR CHETRI, L. SARO, RANJIT BARUAH, WILD GRASS, DIPHLU RIVER LODGE, BHOMONI, SANJEEB BARUAH

Further reading:

If you’d like to read about Tiger Jungles and Desert Lions – visit (Sara) Saravanakumar’s fantastic new blog.
Interview with Harry Marshall – Broadcast Magazine – UK
For television schedule, it’s best to look up National Geographic’s various websites in different countries.

Last week the International Wildlife Film Festival announced the finalists awarding - Secrets of Wild India – Elephant Kingdom with the title – Best of Category – Television Series. To see further details about the rest of the series click here and to see the full list of Award winners at IWFF 2012 click here.

I was fifteen years old or so when my father brought a set of VHS cassettes home to watch. For the present day audience a VHS – short for Video Home System, was a tape format akin to what optical DVD’s are now and the dominant form of home entertainment at a time when television programs were scarce and broadcast networks like Discovery, National Geographic, etc. non-existent in India.  The cover of the VHS set had the image of a Killer Whale breaching near the shore with a dozen nervous seals in the foreground – a striking image. This was the ‘Trials of Life’ – a twelve-part BBC Natural History series about animal behaviour written and presented by ‘David Attenborough’. I remember watching the series over and over again glued to the fascinating world of animals and to the simple yet riveting presentation of natural history by a tall white man with large teeth and a lovely British accent.

Fast-forward to 1999 – Jackson Hole Wildlife Film Festival. I was just beginning to take my first steps into documentary filmmaking. I attended the Festival and to my surprise present in the gathering was Sir David Attenborough. He had just completed another of the ‘Life’ series titled, ‘The Life of Birds’. At that time I earned part of my living leading bird tours in the neo-tropics and the Life of Birds was a bible. I remember meeting Sir David in the central lobby of the Grand Teton Lodge. It was an evening of wine and cheese and at the first opportunity we met, spoke and he jovially signed my shirt. The next day we met again and this time I got my book The Life of Birds autographed.

In all this my far-fetched dream was always to have something that I shot narrated by his voice. That dream came very close (2007) when the purple frog – Nasikabatrachus sahyadrensis was to be included in the BBC Series Life in Cold Blood. But due to many broadcast and production reasons it did not happen and the sequence was retained for Mountains of the Monsoon. Although the purple frog sequence would’ve been a very small part of a big series, to me, that itself would’ve been a dream fulfilled. Sir David was 81 years old and I figured that after this big series he would hang up his hat and retire and I lost all hope of having anything associated with the voice of a legend.

This image was shot by late Barry Paine – another great voice and mentor whose warm conversations and company I’ll miss at Festivals he so devoutedly attended.

In 2008 I met Sir David at Wildscreen. I was helping Tom Veltre, head of The Really Interesting Picture Company (holds the record for the production company with the longest name I think) with his film about George Schaller titled, ‘Nature’s Greatest Defender’. In it was a key interview with Attenborough and this was the first time wherein I interacted with him at a personal level. I presented him with a copy of my book – Sahyadris: India’s Western Ghats. As he flipped through the book, he paused on the page of the Fairy Bluebird and exclaimed, “ Ahh, Irena puella, one of my favourite birds…” and then continued looking through the book.  His knowledge even of a place that he had hardly, if ever, traveled to was nothing short of remarkable!

Last year between January and June I worked along with Chinmay Rane on two film projects for National Geographic. One about Clouded Leopards for Cicada/NG and another titled, ‘Secrets of Wild India’ for Icon Films and National Geographic. This was to be a coffee-table book type documentary series about India’s natural history. My focus was on the first of the 3-part series covering the northeast Indian landscape along the foothills of the Himalaya and the Brahmaputra River. Kaziranga – a place I now call home was base camp and the wild inhabitants of the floodplain – rhinoceros, buffalo and elephant took center-stage in the film. While filming certain key sequences we often read out lines from the script, usually in a very Attenboroughesque manner, “In a remote clearing, a 30-year-old female Indian Elephant, heavy with milk, guards her newborn calf.  Only hours old, she was born under the cover of darkness in the shelter of the forest. The other females of the herd gather to witness her first tentative steps…” Months later when I heard that, Sir David Attenborough, the voice behind the epics we so love, was to do the narration for ‘Secrets of Wild India’ I was silently overjoyed. Finally a dream realized…

Home to over a billion people, India is best known as a diverse mass of noise, crowds, colour and religious devotion. And she also has a wild side, populated by giants, predators and exotic creatures.

Narrated by the legendary Sir David Attenborough Wild India airs Mondays at 8pm to give you a fascinating insight into this world-within-a-world, as each show explores the country’s extraordinary landscapes and their inhabitants.

As for now the tentative Air dates and schedule is detailed below. Please check in to your local NG Wild TV schedule for more accurate timings.

It airs today in the UK and in Latin America – 6th Feb 8PM. I do hope you enjoy watching the show as much as we’ve enjoyed capturing it. Look forward to hearing your comments and please share this with your friends and family.

]]> http://www.sandeshkadur.com/2012/02/the-attenborough-connection/feed/ 12 http://www.sandeshkadur.com/2012/01/clouded-leopards-a-new-year-and-a-new-website/ http://www.sandeshkadur.com/2012/01/clouded-leopards-a-new-year-and-a-new-website/#comments Mon, 16 Jan 2012 06:39:09 +0000 sandesh http://www.sandeshkadur.com/?p=535 In India as in many parts of South Asia, this is the time of the New Year. This is the time when the northward transition of the Sun from Dhanu rashi (Sagittarius) to Makara rashi (Capricorn) takes place. Known as Makara Sankranti – the harvest festival – it is a time that marks the ending of winter and the beginning of spring. A very auspicious time in the Hindu calendar as it is the beginning of a New Year. With this, I’d like to take the opportunity to launch my new website and blog wherein one can find answers to many questions and get a peep into the behind the scenes of Wildlife filmmaking and photography. The website is still under-construction so check back frequently for more updates and features. The first photo-essay on the blog page is about my work with clouded leopards for an upcoming documentary.
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In 2009 a dream project shifted my base camp to North-Eastern India. My job was simple albeit a bit broad – document the natural and cultural treasures of the Eastern Himalaya. One of my target species of course, was the clouded leopard. I knew my chances of seeing one was practically non-existent, but just knowing that somewhere in the jungles around me this cat prowls was enough to keep me excited and look for signs of its possible presence. I traveled all along the foothill forests of the Himalaya and although local people knew of the clouded leopard, finding one was nearly impossible.

Found through much of the forested regions of Southeast Asia, clouded leopards range from sea level up to about 2000 meters plus in the Himalaya.

With increased pressure on land clouded leopards numbers are declining. They are listed as Vulnerable in the IUCN Redlist with an estimated population of less than ten thousand individuals – a guesstimate at best.

Naga men out on a hunt – Khonsa District, Arunachal Pradesh

The few animals that persist in human dominated landscape don’t survive for long. In most parts of Arunachal Pradesh and Nagaland men carry rifles as part of their everyday attire. They shoot whatever they come across that is sizeable enough to be eaten including clouded leopards.

My first sign of the presence of these cats came at a market place in Arunachal Pradesh. Here a clouded leopard skull adorns the sword, or Dhaow worn by the local headman’s son.

A few weeks later I stopped at a government run handicraft shop (not disclosing location). I was shocked to find a colourful stone, studded clouded leopard lower jaw adorning a Dhaow being sold for  3000 Rupees – about 60 US dollars.

Skins and skulls of various rarely seen species are part of common decor in the kitchens’ of many Naga tribes – the best place to do a faunal biodiversity inventory. In fact a new species of leaf deer unknown to India, or to science was found rummaging through these dusty collections of old skulls and bones.

A full-grown clouded leopard coat hangs inside a Naga kitchen. It was shot during the obligatory ‘no-hunting season’ by the village headman of Zipu village near Shatuza on the Indo-Myanmar border.
All in all, this was the closest I got to seeing a clouded leopard – a smelly skin of a clouded leopard shot just because it happened to be walking on the trail while the headman was on his way to work on his field.

Running parallel to the sad story of the plight of clouded leopards in the wild was the more uplifting story of Runaa and Khota, two clouded leopard kittens found along the Indo-bhutan border west of Manas Tiger reserve. Photo credit: Panjit Basumatary/ WTI
Panjit the vet at Wildlife Trust of India’s center for wildlife rescue in Kokrajhar was assigned the duty of looking after these cubs hardly a few days old. The cubs were confiscated by Sonali Ghosh who was the DFO in charge of the area and wanted to figure out a way to get the cubs back into the wild.

I heard about this six to seven months later and thought that it would make a wonderful story as it was the closest I was getting to seeing a clouded leopard in the wild. So I rushed to the area and began documenting the process of rehabilitation. Initially the cubs were led on a long leash to get them used to their new home – the forested foothills of the Bhutan Himalaya.

I followed these cubs living with them everyday while the cubs explored their forest surroundings. It’s amazing how quickly their cat instincts kicked in and before long they were making their own kill of junglefowl and squirrel.

Clouded leopards earn their name from the big blotches of cloud-like markings on their coat, another reason why they are hunted. Their pelt is used to adorn sheaths, hats and other human ornaments.

These cats are made for a life living in trees. They can sprint straight up a vertical tree trunk with no problem, as if running on flat ground. Their rear ankles are modified much like squirrels, so they can actually come down the trunk of a tree headfirst!

Other arboreal species like golden langurs form part of the prey base of clouded leopards. For now all Runaa and Khota could do was to chase these langurs from tree to tree.

Clouded leopards can open their jaw wider than any other big cat and in relation to their skull size possess the largest canines among the Big Cat family. At 5 centimeters (2 inches) in length a full-grown clouded leopard’s canines are nearly the same size as a tigers’!

After nearly two years we completed the documentary about Runaa and Khota. If you’d like to learn more about cloudys or how Runaa and Khotaa got along – watch Return of the Clouded Leopards on National Geographic! Here’s a short excerpt from the film which aired on National Geographic’s Big Cat week in December of 2011.

You can buy a copy of the DVD here, or wait and watch it on National Geographic WILD. I don’t have word of the air date in India, but keep an eye on this space for more details.

Tentative air details: Asia 21st Feb 2012 2000 Hrs Australia 19th Feb 1930 Hrs

This documentary is dedicated to wildlife Vets like Panjit Basumatary and Bhaskar Choudhury. They are the animal doctors and dedicate their lives to helping animals like Runaa and Khota – no easy task.